Sarcasm is Useless…yeah, right!

I’m back.

Have you missed me?

 

I’m getting to the last half of the humor series I started a few weeks back! (see the bottom of the page for the other entires)!

Today I am exploring sarcasm.Screen Shot 2014-11-06 at 10.28.47 AM

 (part 1)

This took a lot of research because I had so little understanding of sarcasm and I’ve heard it so infrequently.

That was like stretching before a jog.

You limber and ready? Let’s do this!

We take humorous sarcasm for granted because it’s so plentiful in the modern culture milieu. This is, in fact, a recent cultural development, and one the entertainment industry has much to be thankful for.

Sarcasm is actually a rather complex use of a language:

 

In using sarcasm we must convey the opposite of what we are saying.

 

This happens best by using enough vocal intonations, body language, and other hints to communicate true intent. (The less exaggeration done, the more of a butt hole you seem.)

Sidenote:
For those with language or cognitive impairments, like autism, sarcasm may be routinely misunderstood. My son’s–who has autism and learning disabilities–now has a budding understanding of sarcasm at age 14. My daughter caught on at age 3. By using more exaggeration to convey the real meaning in my use of sarcasm, I introduced him to a common use of communication. I know you’re thinking… “PARENT OF THE YEAR!”…but, yes, this was not without its problems. 

His accomplishment was a milestone of development that will start to serve him well if he expects to be treated as a mainstreamed person. Nevertheless, the use of sarcastic comments in our home tends to be unnoticed by him and taken in lateral, face-value terms. We try to keep a reign on it in our home to avoid needless problems of miscommunication.

This was, at first, a bitter disappointment to me, having come from a caustic childhood environment where sarcastic mockery was more plentiful than supper leftovers. Alas, it was a call to greater maturity as well as development of alternative modes of mirth-making. For me, baby steps.

 

6 Things to note about the use of sarcasm:

1. Unlike many other expressions of humor, sarcasm always has a point and means to activate or thwart something. It also proves useless (or frustrating) if the hearer fails to understand the actual pointed meaning. Tip: That’s how to foil it. Just act oblivious. Easy-peasy. 

2. Invariably, It is used to point out the supposed superiority of one person (or group) over another.
That’s, right…..Busted!

3. It is considered genuinely humorous only when one can duly side with the practitioner of it, and not be the object of the sarcasm/ridicule. The rare exception being when the practitioner has the master skills to appear convincingly benign to everyone involved–which few do convincingly. Groans, eye rolling, harbored resentment, passive aggression, or revenge plots indicate failure on this part.

4. The word sarcasm comes to us from the mid 16th century in the French word sarcasme. Isn’t it hard to believe that of all people and language groups on the planet that it would be the French at the source of the word?

I wonder what the source of the the word “snooty” is….

(Find out and let me know!)

Right now, I feel I should point out that “DeLay” is my married name.

The French word sarcasme was originally from late Latin, from late Greek sarkasmos. In Greek, it is sarkazein and means to ‘tear flesh,’ (lovely!). In late Greek it meant ‘gnash the teeth, speak bitterly’ (think: sneer). And like the languages from whence it came, sarcasm is often noted to be too little, too late and, of course, carnivorous.

5. The frequent use of sarcasm creates a negative, cynical, and often toxic atmosphere and state of mind. And it’s just plain old douchey (pardon my French).

6. In the classical (Greek) world, “humor” was primarily conducted as sarcasm and practiced by the upper class (who were few) to degrade and condescend the lower, poorer classes (who were many). I’m assuming that in contrast, the poorer classes, as is typical, found burping, farts, and shit jokes funny (pardon my French).

This class issue is why the use of humor was denounced by Plato and other early philosophers (who were–mind you–literate, educated, and upper class. They saw it as counter-productive and without virtue. The noble, high class aim is to be good. And of course, farting was not at all funny to Plato, ever. Not once.)

In the Republic (388e), Plato says that the guardians of the state should avoid laughter, “for ordinarily when one abandons himself to violent laughter, his condition provokes a violent reaction.”

I’m not sure if he meant riots or just getting punched in the eye.

And now, I will leave you with this story…

 

A linguists professor instructs his class saying,

 

“Sarcasm is a poor use of language, crass and unsophisticated, and serves absolutely no sensible point.”

 

To which a student in the back replies, “Yeah, right!”


 

Sarcasm is, most often, poison humor meant to somehow injure or to thwart.

It works like a kind of tool and inflicts a kind of violence. As with all weapons, prudence and moderation will be the best course…in case all of this is getting past you. ;)

It goes without saying that, sometimes, violence is the point, so then it boils down to determining what kind of person you want to be most of the time.


 

Your assignment is to write something sarcastic in the comments section to prove you understood this post, or instead… if your conscious is lashing you, count and report the number of times sarcasm was used in the post. 


Sarcasm tends to be misunderstood in written form. This includes, letters, emails, texts, and sky writing. The internet is replete with sarcasm misunderstood….so in

PART 2 I’ll go over how the Secret Service is considering using software to detect sarcasm online. Crazy but true.


 

PREVIOUS ARTICLES IN THE SERIES:

1. The primacy of humor

2. Step 1: Tickle Rats (the science and study of humor)

3. It’s not just timing, it’s specific knowledge

4. On how subversive humor works

 

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HUMOR SERIES: On Subversive Laughter-Jokers are Wild

Davidson_The_Court_Jester-1

 

Whether it’s an Episode of Saturday Night Live, a late night tv host monologue, a webisode, or humor website, one of the many uses of humor one is to prove a point. People who find themselves funny may often aspire to more elevated forms of comedy:

Satire, wit, or something that seems noble.

If not fully noble, then at least something useful for creating meaningful change.

And if not that, then a comic may just try for old fashion notoriety. But, plenty of people simply settle for infamy.

Cuss words, crude jokes, and whatnot. But, in an effort to avoid thorough banlality the aim might be satire.

In the dearth of well-formed, well-put, well-placed, and well-timed, first-rate satire, many hope their wild comedic jabs will do the trick. They don’t.

True and artful satire is really rare; just like true brilliance is rare.

sat•ire (sătˈīrˌ)

  • n.
    A literary work in which human vice or folly is attacked through irony, derision, or wit.
  • n.
    The branch of literature constituting such works. See Synonyms at caricature.
  • n.
    Irony, sarcasm, or caustic wit used to attack or expose folly, vice, or stupidity.

 

On Satire

Besides that, the difference between satirical prowess and just being mean is more of a fine line. One that rests in the subjective ear of the hearer. Vary the audience and you have a flop. Get it right and you can have an impeachment.

I asked my friend Doug to elucidate us on some of the finer points of comic relief.

If any one put this sort of thing on the map, it was Shakespeare.

(Not Billy Crystall, Whoopi Goldberg, and Robin Williams…which was a fund raising thing.)

Either way, I’m soon out of my depth.

• So, what’s the point of (Shakespearean) COMIC RELIEF?

• How does it work, or not work.

• Does it work now?

A modern audience of non-English majors might not get Elizabethan wordplay…a lot of the problem is that people begin with the general idea that this is serious literature and therefore one is not supposed to laugh.

Not true. Sometimes it gets lost in translation.

While many think of comic relief as a literary ploy to give the audience a break from the latest dramatic event (a murder, beheading, or suicide etc), there is more to it.

 

For starters, says Doug, take the Fool in “King Lear.”

Cambridge poet and scholar Malcolm Guite asserts that, “Shakespeare, with a true understanding of the cross, always puts his greatest wisdom in the mouths of his fools.”

 

Throughout the early parts of the play the little fellow offers repeated jabs at Lear’s stupidity in attempting to step down from his throne but retain his power.

 

The idea of “royal retirement” amuses the Fool. Like a standup comedian with no “off” switch, he shoots out one-liners until several different people threaten to have him beaten.

 

He’s funny. He’s even funny in the howling storm when Lear begins to lose his mind and Edgar pretends to lose his and we do indeed need a break. But the humorous bait conceals a serious barb, both for the characters and the audience. The fool sees what the wise men miss.

 

Drawing on the common usage of court jester in that day, Shakespeare can deliver a message of great import.

Shakespeare here draws on the origins of the trade. Wealthy people in the medieval world sometimes kept mentally impaired people around because their antics amused their betters.

 

They could say or do anything and get away with it, basically, on the insanity defense.

 

Eventually a few very clever people figured out that such a role would allow them to engage in serious political critique without the usual inconveniences of getting exiled or sent to the Tower of London.

 

The Fool is such a double-dealer, offering a needed message disguised as “mere” comic relief.

Just as it happens today, comedy and the use of humor serves many purposes. Entertainment may be the first one, but a lot more may happen in the process.

In excavating the sites of Elizabethan theaters, archaeologists have found the shattered remains of pottery boxes into which theater patrons would drop their admission fee.

 

At the end of the night the company would smash the container – like a kid breaking his piggy-bank – and divvy up the night’s take. (This, by the way, is the origin of the term “box office.”)

 

This little factoid is a reminder that Shakespeare did not so much write for the ages as for the commercial stage. As a professional playwright he had to produce shows that people would pay to see.

 

His diverse audience wanted action, politics, poetry, and, yes, humor. But with each of these elements he did more than met the eye. His “comic relief” is like drinking sea water: It briefly relieves our thirst for wholeness only in order to make us crave the real thing even more.

It would seem that comic relief still has its place. Jokers ARE wild.

But, whether a comic gives the challenge due diligence is another question.

What’s been your favorite bit of satire, recently?

I hope you’re enjoying this series.

ox

-Lisa

Here are the other related articles.

1. (humor at birth)

2. (Humor studies: Step 1-Tickle Rats)

3. (On comedic distance-funny to whom?)

 

For the latest info on my humor related projects sign up here.

5 Things you didn’t know about Worship

May this weekend be a time of renewed devotion and worship for you.

Here’s 5 things you may not realize about worship.

1. WORSHIP is a spiritual practice about what we treasure.
2. WORSHIP is about how we cherish God
3. WORSHIP is based not on our feelings/emotions.
4. WORSHIP is not entertainment.
5. WORSHIP is not optional.
Come let us worship.
May your love and devotion increase.

Live your GLEE moment

I just loved this photo by Marek Paluch (found on MSNBC).

It’s likely this critter is NUTS.

Find your GLEE moment

(The hit show GLEE is a drama-comedy that breaks out into a musical number and choreography several times per episode. In other words, it’s basically just like real life.)

All the world is a stage?
Only if people find you annoyingly dramatic.
Or, fantastically entertaining.
Or, small and furry…

It’s important to have our “break out” moments, our passionate interaction with the universe, and have a certain kind of flourish that gives us an awareness of being fully alive.

What was your last “Glee moment”?