My funniest Ninja video to date! ENJOY. (If you like it, share it. It’s a Creative Commons item!)
My funniest Ninja video to date! ENJOY. (If you like it, share it. It’s a Creative Commons item!)
Give your kids the weirdest stocking stuffers EVER.
Their imagination just might kick up a notch.
If they run into a creative wall, you need only use youtube to get your ideas. (or click links in this post)
Clothes pins
perfect for:
Ream of paper
perfect for
Roll of Duct Tape
Ball of twine or wire
perfect for
Notepad
perfect for
Magnets (especially Neodymium ones)
perfect for
Office Supplies
Cuss / noun
1 an annoying or stubborn person or animal : he was certainly an unsociable cuss. 2 another term for curse (sense 2).
Disclaimer: I’m not using a moral arguement against cussing, though you might expect I would, at a site with spiritual flavor like this one. While, many may say it’s a sin to cuss, I think what may be the truest thing is that the intention of using the vulgarity that is the real issue at stake. Nevertheless, I won’t go in that direction. My contentions are not nearly so deep or heartfelt. This is simple practicality and common sense at work:
Simply put: I don’t think foul language is powerful enough. I finding it lacking. Any great use of the stuff tips me off that I’m in the company of communication amateurs.
In truth, I’m not very offended by expletives. The shock wore off in high school. And high school–childhood–is about the only time a certain amount of cussing is, sort of, understandable. By nature, kids don’t know how to express themselves very well. Salty language makes rookie humans feel older and more formidable. It gives them a sense of power, as they flex their ” ‘I’m growing up’ muscles”. Yet, it’s the running myth that if something is bleeped on tv, it resides in the realm of “grown-up language”, and signifies something more heady and legit. In fact, expletives are quite banal.
I cuss quite rarely, and when I do it’s actually because I’m having trouble expressing myself. In some foolish desperation I concede to inferior “describing words”. So, really, cussing takes away from our points, rather than aids them.
Just for the sake of developing better communication, we needn’t use them. Maybe you enjoy tossing around a swear here or there. I don’t really care. But here are 7 points to remember on this topic:
7 Cussing Tip Offs
1. Cussing quickly reveals one has a diminished vocabulary or the inability to use their vocabulary very well. (This can become a worsening habit also. Hence, it is sometimes combated with a Swear (fine) Bank.)
2. It displays a rather uncreative mind. (What could help? Simple: A thesaurus.)
3. If a cuss word can be used as an adjective, noun, and verb, it’s hackneyed, and by consequence, impotent. Let’s just say it’s, “lame” in a hobbling sense.
4. While cussing may somehow help one reveal emotions, or relieve stress, it doesn’t help one’s case. Quite the opposite. Logic is a better choice. Give it a try.
5. Foul language tells a bigger story about the person and his/her hang ups than it does about whatever the person is trying to convey. (It’s sort of sad, really.)
6. Cussing offends people for a myriad of reasons, but strangely enough, much use of it boils down to spotlighting simple bad manners and poor taste. Throughout history, “vulgar” language has some sort of reflection on social or economic status. [Ex: A mother says to her child who has been running around with the kids from “the other side of the tracks”, “No, honey, we don’t talk like that (or them).”] Most often people mentally associate foul language with an uncouth boorish social class, or uneducated and unrefined upbringing.
7. “Dirty words” are given meaning by a culture, not the other way around. What is the massively cussing person trying to prove, then? And why? [That’s the bigger question.] Here, subtext trumps communication. so probably a #fail
What are your thoughts?
My favorite cuss quote:
“Are you cussing with me?” -Fantastic Mr. Fox
I invited Shane to post here, chiefly because I feel a kinship to Shane. The artist and the spiritual formation learner I am jives so nicely with Shane’s outlook, and what he does as his life’s work. Writers, artist, thinkers, creatives, musicians, and so forth bring vital perspective to Christian Spirituality, and walking with God. Shane tends to this group, which is not an easy task.
Who is SHANE TUCKER?
Shane lived in Ireland for eleven years with his wife, two daughters and son. Visit his site. He works with the arts, spiritual disciplines, evocative messengers, and symposiums to engage people in their journey with Christ. He is passionate about seeing people live into their purpose in life, and he finds applications for that as a ‘soul friend’ (spiritual director) via Soul Friend (www.ArtistSoulFriend.com). He can be reached via either website or at shane dot tucker at gmail dot com.
Please enjoy Shane’s post, and feel free to offer your insights, comments, or questions.
Aesthetic Spirituality
by Shane Tucker
“Art enables us to find ourselves and lose ourselves at the same time.”
-ThomasMerton
We have an innate quality to notice beauty at every turn. To know that something is ugly or unattractive we must, of course, know that true beauty exists . . and in some way, to have experienced it. We resonate most strongly with that which seems to offer wholeness or a sense of completeness to our lives. That resonance may also be experienced as a deep hunger. Seldom do we know ourselves well enough to be able to express those yearnings in a coherent fashion. Itʼs in those times we need a bridge – something enabling us to connect, to integrate disparate elements into a whole. . . into a sense of being whole.
Art – any method or medium of creativity – can often serve as this necessary bridge, this connection, between what we know and what we long or yearn to know. Art gives us the tools, the words, the motion to live into what we sense is already there, but as of yet remains unseen. In this sense, art itself is a means by which we find ourselves by moving beyond ourselves. Through art (the highest sort) we are transported into places and spaces where we can lose ourselves. Itʼs a gift to be fully present to, and fully absorbed into, a situation or individual where weʼve forgotten to be concerned with our own desires or even aware of our image before others. Iʼve had a few experiences like this directly and by extension.
One of those experiences occurred three summers ago while I was attending a festival of creativity in middle England. I sought out a band I wanted to become acquainted with and unexpectedly, during their set I was in continual awe. Through their skillful use of music and visual elements, I was caught up in the moment and I forgot myself. Classic. Iʼve had similar experiences standing on green, broad, bald hilltops around Ireland as I drank in the arresting landscape around me. Another example are Christmas mornings since my three children arrived on the scene. Experiencing the uninhibited enthusiasm and joy demonstrated by these little people as they open gifts and share their excitement with the family – these are moments of pure bliss.
In times such as these we are given the gift of losing ourselves . . more specifically, concern for ourselves. The end, however, is not the experience of forgetting oneself in beauty, wonder, and awe; or even that of knowing a deep resonance which affords us the equivalent of tonal tonic through lifeʼs journey. Itʼs knowing Him. I hear, see, touch, taste and feel the Creator in this God-saturated existence called life. Heʼs made Himself ever- present in the created order and ever-accessible. He has, in fact, painted Himself into the portrait, written Himself into the narrative and sung Himself into our lives – even into existence, in Jesus Christ. When we recognize His overtures of love, our moment is to respond whole-heartedly, in trust, recklessly abandoned. In His hands, we then become the artwork by which He invites others to lose and find themselves in Love.
“Those who want to save their lives will lose them. But those who lose their lives for me will find them.” – Jesus, Matthew 16:25
by Shane Tucker / Soul Friend (Spiritual Director) / www.ArtistSoulFriend.com
Thank you, Shane.
I have developed a bit of an old fashion view of “genius”. Roman empire times “old fashion”. “Genius” was a term given to an outside entity of sorts that basically lived in the walls, and helped out with problems and other matters with a “spark of genius,” a kind of superior energy and creativity that had to come through a human vehicle, and come to fruition cooperatively. A person who “had a genius” had to listen to that genius. His brilliant triumphs would not be completely his doing, nor would his failures of genius. Some of the blame or credit was due to the genius. It had a way of keeping people more human I do believe, not puffed up with vanity and hubris, or unduly in despair for a bit of a lazy genius.
Somewhere along the line (I’m guess during the human-centered “reason” and experimentation of the Enlightenment Age) the term genius came to mean “a person who has brilliance”. A deep shift happened, if you noticed. Genius sourced in the person alone. “How advanced and sophisticated,” some might say. But wait. No one could imagine the stress that would put on people, especially highly creative people (think: writers, poets, artists, inventors, innovators, thinkers, etc.) who would now have to be solely responsible for producing genius worthy outcomes, and items, repeatedly.
Ever wonder why genius and madness are so closely tied? I think, that’s part of it. It’s hard to separate the creative aspect from the non creative aspect in a person. It’s hard to not take failure (or success) personally. I do believe it (“genius” or the process of the initiation of the truly great) has something to do with an intertwining, interaction, or crossover point with us and the Divine (our Creator).
A better, and less destructive way to define “genius” is to realize our success and failure is partly our doing, but partly something that comes to us and overshadows us. It’s better to realize the “gift of genius,” which would be not at all personal brilliance that start or ends in an individual, but instead an ability to be aware, receptive, and collaborative with others, and most importantly what must be higher and beyond our ourselves. A “touch of genius” could be said to be when everything involved hits just the right harmonic cord, and something revolutionary is borne, something is unearthed, or a creative act generates new life.
If you were to say, “Lisa, you’re a GENIUS!” I’d smile, and feel flattered for about 2 seconds. Then I’d realized the bigger truth going on. Very little has much to do with me. I’m not a genius, but sometimes I listen and detect better than at other times. To people who’ve heard my thoughts, ideas, or read my papers, they might hear some original thinking, or novel theories, but I really doubt I was the first source for them. At best it was a strange cooperation of experiences, education, preparation, creative exchange and communication, and a touch of something I can’t put my fingers around, and will not attempt to take credit for.
This “invention” pictured here below is a simple example of just a bit of a “touch of genius”. Check it out.
Why is it? It uses resources, readily available, to move beyond their supposed potential for a well-needed purpose. Is it every paper clips destiny? Probably not, but with a “touch of genius” perhaps, a they serve a purpose that is quite helpful and transcends the assumed norm, the typical, or the mundane.
The people of our interactions deserve the same kinds of treatments and communications as these seemingly simple paper clips–At work, play, ministry, home life, social life, and all the rest. It’s the spark of genius, in cooperation with what is above and beyond us, that is needed to produce not what is hoped for or expected, but what is just out of reach, and just beyond our human imaginations. Groups and Communities can link up with “genius” too.
We can only see what’s been done, or what’s right in front of us. “Genius” doesn’t work that way. It’s a way of collaboration, even relinquishment to do the unexpected, even with simple “instruments” to create the extraordinary.
If this is new to you, or fascinating in some way (positive or negative), please link to this article.
thanks for reading.