31 Jesus said to the people who believed in him, “You are truly my disciples if you remain faithful to my teachings. 32 And you will know the truth, and the truth will set you free.”33 “But we are descendants of Abraham,” they said. “We have never been slaves to anyone. What do you mean, ‘You will be set free’?”34 Jesus replied, “I tell you the truth, everyone who sins is a slave of sin. 35 A slave is not a permanent member of the family, but a son is part of the family forever. 36 So if the Son sets you free, you are truly free.
The season of Lent is especially helpful for calling our cravings (desires and temptations), and sin (missing the mark) into question. When we do not have the mind of God, we sin. We enact a way opposed to God, and his nature. It is sin that enslaves us. We become captive to corrupt desires, deeds, words, and thoughts. Sin is our Master, and we remain in chains.
What ungodly things are your master? The Son has made you free, and you are free indeed. If you remain faithful to God’s teachings, you will not be fooled by sinful things, and held in bondage.
Consider you sin, and your sinfulness. Confess it and Relinquish it.You have been set free! Live in that freedom.
I invited Shane to post here, chiefly because I feel a kinship to Shane. The artist and the spiritual formation learner I am jives so nicely with Shane’s outlook, and what he does as his life’s work. Writers, artist, thinkers, creatives, musicians, and so forth bring vital perspective to Christian Spirituality, and walking with God. Shane tends to this group, which is not an easy task.
Who is SHANE TUCKER?
Shane lived in Ireland for eleven years with his wife, two daughters and son. Visit his site. He works with the arts, spiritual disciplines, evocative messengers, and symposiums to engage people in their journey with Christ. He is passionate about seeing people live into their purpose in life, and he finds applications for that as a ‘soul friend’ (spiritual director) via Soul Friend (www.ArtistSoulFriend.com). He can be reached via either website or at shane dot tucker at gmail dot com.
Please enjoy Shane’s post, and feel free to offer your insights, comments, or questions.
Aesthetic Spirituality by Shane Tucker
“Art enables us to find ourselves and lose ourselves at the same time.” -ThomasMerton
We have an innate quality to notice beauty at every turn. To know that something is ugly or unattractive we must, of course, know that true beauty exists . . and in some way, to have experienced it. We resonate most strongly with that which seems to offer wholeness or a sense of completeness to our lives. That resonance may also be experienced as a deep hunger. Seldom do we know ourselves well enough to be able to express those yearnings in a coherent fashion. Itʼs in those times we need a bridge – something enabling us to connect, to integrate disparate elements into a whole. . . into a sense of being whole.
Art – any method or medium of creativity – can often serve as this necessary bridge, this connection, between what we know and what we long or yearn to know. Art gives us the tools, the words, the motion to live into what we sense is already there, but as of yet remains unseen. In this sense, art itself is a means by which we find ourselves by moving beyond ourselves. Through art (the highest sort) we are transported into places and spaces where we can lose ourselves. Itʼs a gift to be fully present to, and fully absorbed into, a situation or individual where weʼve forgotten to be concerned with our own desires or even aware of our image before others. Iʼve had a few experiences like this directly and by extension.
One of those experiences occurred three summers ago while I was attending a festival of creativity in middle England. I sought out a band I wanted to become acquainted with and unexpectedly, during their set I was in continual awe. Through their skillful use of music and visual elements, I was caught up in the moment and I forgot myself. Classic. Iʼve had similar experiences standing on green, broad, bald hilltops around Ireland as I drank in the arresting landscape around me. Another example are Christmas mornings since my three children arrived on the scene. Experiencing the uninhibited enthusiasm and joy demonstrated by these little people as they open gifts and share their excitement with the family – these are moments of pure bliss.
In times such as these we are given the gift of losing ourselves . . more specifically, concern for ourselves. The end, however, is not the experience of forgetting oneself in beauty, wonder, and awe; or even that of knowing a deep resonance which affords us the equivalent of tonal tonic through lifeʼs journey. Itʼs knowing Him. I hear, see, touch, taste and feel the Creator in this God-saturated existence called life. Heʼs made Himself ever- present in the created order and ever-accessible. He has, in fact, painted Himself into the portrait, written Himself into the narrative and sung Himself into our lives – even into existence, in Jesus Christ. When we recognize His overtures of love, our moment is to respond whole-heartedly, in trust, recklessly abandoned. In His hands, we then become the artwork by which He invites others to lose and find themselves in Love.
“Those who want to save their lives will lose them. But those who lose their lives for me will find them.” – Jesus, Matthew 16:25
Here is the much-anticipated interview with Brett McCracken, author of Hipster Christianity: When Church and Cool Collide. Thank you, Brett! This was fun.
5 Questions for
Brett McCracken
1. Does the hipster Christian phenomenon pivot on the “Be in the world, but not of the World” Scriptural directive?
I think the hipster Christianity phenomenon is absolutely about this notion of how to be in the world but not of the world (with emphasis, perhaps, on the “being IN the world” part). Christian hipsters want, above all, to engage with the culture at large. They want to have a meaningful dialogue and cooperation with the wider world, rather than being cut-off or segregated from it. Rather than having a Christian music industry, a Christian movie industry, Christian this-that-and-the-other, these Christian hipsters long for a faith that is relevant in and among the culture. They don’t want to be set in opposition to the culture, but rather they want to be productively engaged with it. Their instincts tell them that if Christianity is true, it is not something meant to be separatist, overly legalistic, and anti-everything. Rather, it should be something that speaks into every aspect of life and illuminates the beauty and wonder of existence. They resonate with the famous C.S. Lewis quote that says, I believe in Christianity as I believe that the sun has risen. Not only because I see it, but because by it I see everything else.
2. If you could communicate one thing to your readers that they would remember forever (and in so doing, change them forever), what would it be?
Wow, that’s a big question! I guess I would want to communicate the notion that the “coolest” thing about Christianity has little to do with how trendy, cutting-edge, and “of the moment” it appears to the culture, but has everything to do with the transcendent truth of a Gospel that changes lives.
3. Every writer has “haters”, what do yours complain about? (Mine complain about nipples, but that’s a rather long story, and this interview is about YOU.)
A lot of the critics of the book suggest that I’m not giving enough due to the cultural context and “mode-of-delivery” through which the Gospel is communicated. They maintain, rightly, that the Gospel always has to be presented in ways that are embodied, formed, packaged, and specific to the context/audience in which it is being presented. I totally agree. I’m not suggesting that the Gospel is just some nebulous cloud of ideas or concepts that we can communicate apart from form. Of course we have to consider the medium, the context, etc. All I am saying is that form influences content, and we have to be careful that the various new strategies we are undertaking (placing tons of emphasis on looking cool, cutting-edge technology, etc) are not negatively impacting the content of the message or distracting us from making sure we are communicating a deep, rich, transformative message. At it’s core, my caution in the book is that we not get so preoccupied with hip/cool/attractive packaging that we forget what is actually rich and powerful about the message itself.
4. To you, is “cool” more of a state of mind than anything? Why or why not?
Hmm, that’s an interesting question, because I think it is and it isn’t a state of mind. In the sense that the pursuit of “cool” is very self-conscious and a sort of existential endeavor to be “in the know,” I definitely think it is a state of mind. But then again I think that there are plenty of “naturally cool” people who never really think about or try to be cool. It’s not something they consciously strive for as much as it is just a side-effect of them truly liking certain bits of culture that happen to be fashionable or appear cool in a given cultural context.
These days, it’s hard to tell where “cool as a self-conscious state-of-mind” ends and “cool as a natural outgrowth of who one is” begins. The problem is complicated by the fact that cool today (as in, “hipster” cool) is largely defined on the superficial “how one dresses” level, so you have “true” hipsters who dress in a certain way but then you have the “I want to be cool” hipsters who can simply purchase the exact same look at American Apparel or Urban Outfitters. On a phenomenological level, there is no difference between the two. Both types signify “cool,” which we take to mean “elitist/snobby/annoying.” So whether one actually IS elitist/snobby/annoying doesn’t matter, because “the look” communicates this regardless.
5. Have you ever considered offering McDonalds a signature menu item? (For instance, like the McCracken Sandwich: 8 crispy strips of bacon, melted sharp cheddar cheese, and sweet horseradish sauce on crispy, lightly toasted Sourdough bread pocket.) [Seriously, that whole thing came to me in one package like that. It must be a God thing.] If you have not, this could plague your mind, and I’m sorry about that. I too am feeling hungry.
If I were to have a McDonalds signature item, it would probably include arugula, grass-fed beef and raw goat cheese, just to cover my hipster bases.
I’ve finished with McCracken’s book and now it’s time for my “review” (which is an official sounding way of saying, I’ll be sharing my take on the thing.)
(For Liger fans, this apparently translates to 94.5% approval score. [High])
[Within text HC= “Hipster Christianity”]
One sentence assessment(“Tweet Review” version):
Author, McCracken may end our present era of “cool Christianity” single-handedly.
Summary:
McCracken does much to observe and detail the Christian (cultural, or rather sub-cultural) landscape. This book serves as a mirror for Christians so they may assess whether their “image” (whether they may be primping it consciously, or accidentally) helps or hurts the greater cause of Christ. For a certain percentage of readers, (perhaps from rural, or smaller congregations), this book will seems other-worldly and depicting that which appears to be on the fringes of Christian culture. But for many semi-rural, suburban, and urban church folk, between the ages of 21-50, McCracken’s depictions will seem, at first, like standing in front of an embarrassing Fun House mirror. Then, it will give you the reasons and how-tos to do better.
HC exposes the self-referential, pop-culture influenced realm of many Christian leaders, and laity. His 12 descriptions of hipsters varieties can make you both laugh and cry.
[Think: über irony to the point of deprecation. Sometimes funny “haha”, and sometimes funny in horrible, cringe way.]
Mental vignette:(While reading it I pictured Tony Jones reading it also and saying the F-bomb 18 times, followed by, “I’m RUINED!” near a group of pre-school children, or a Social Media Bootcamp (consisting 4 over-protective parents, 3 folks over age 81, and 17 recently ex-Amish); and then–with added and great displeasure–spilling his Ristretto Venti with soy, and a hint of nutmeg on his stylish skinny jeans.)
General Style of the book:
Adjectives:Informative, funny/clever, intellectual, helpful, jargon-heavy (not always in a helpful way), thorough (both in historic overview and cultural contextual), hyper saturated with cultural references and information, well-intentioned (constructive) and non-cynical (a nice surprise!).
Will Most Likely be enjoyed by:
18-50 year olds (anywhere on a spectrum of Mildly Stylish thru and including Tragically Hip & Techno Savvy) who will no doubt find themselves pictured in the descriptions, much to their [combined] amusement and chagrin.
Could be improved by:
Realizing many of the 12 varieties of hipsters, who are the likely target audience, won’t have the attention span to read the whole thing.
Recommendation 1: Tweet a version of the book, in a series.
Recommendation 2: Write a “translation” for non-hipsters. Possibly include an emerald green decoder ring.
One surprising find:
Mark Driscoll is practically pigeon-holed as a semi-pervert, “frat-boy testosterone” laden, misogynist who’s hanging on to his election by some sort of tiny, irresistible thread, but doing well at really just not getting it.
(Which makes it all so HiLarIOuS!)
It may be that I’m too cynical, but my unsolicited guess for his strange hyper-masculinity syndrome involves the preventative tactic that goes something like: “I’m so very manly, so please, don’t think I’m gay..because, of course, that would be extremely ridiculous, and, duh, of course, I’m total %110 NOT even a smidgen gay, or even homosexual, nor do I like to gaze at really burly men who workout in tight clothing, who drive even guys crazy…so we hope our scantily clad wife at home can ease that sort of burden after for me, I mean, other hot looking guys, who are NOT like me, when we, er…they work out.” Not that any of us have witnessed this, from pro-wrestlers, or firefighters, or policemen, or interior decorators, or hairdressers, or rodeo cowboys, or anything. [For that brand of insecure men, maybe it only takes 1 weird or ambiguous camping trip experience, or communal shower situation, to instigate this sort of overcompensation…Right, guys?]
But, hey, what do I know?
Did I find out I that was a hipster?
Yes, a bit more than I liked, but not as much as I feared.
It’s not lame. It’s cool. You may feel like you’re a dork after he exposes you for your hipster ways–SNAP. But yet, HC transcends cool, and that’s really what we all should want, dude.
Potential ramifications:
By reading it you may realize it’s the Unforgivable sin if one is labeled a hipster. That will be the “end of cool” as you’ve known it. Also it’s possible the multiverse could implode; or a black hole could suddenly suck in every Whole Foods before one can blow a clove-scented smoke ring. (BUT-If you’re gutsy you’ll take your chances anyway.)
If you’ve read the book, share your thoughts.
If you haven’t, ask your questions.
COMING SOON:
You’ll hear from Brett McCracken himself. He’ll be answering my (oh, so exclusive) questions, and you can leave questions for him to respond to.
I knew I wanted to read Brett McCracken’s book Hipster Christianity: When Church and Cool Collide, and I’m quite glad (Hipsters read: “Stoked”) he sent me a copy, and 1 signed copy my way to give out to a fortunate soul.
The book is much better than I thought it would be, and I already figured I would enjoy it. I’m currently authoring a write-up about it as I finish it. That will be put up soon, as a new post.
And SOON (within 4-9 days), I’ll post the interview now underway with Hipster Christianity author, Brett McCracken.
What a free, signed, copy?
Then, post something about the topic of trendy Christianity,
OR answer: “Is it hip to be square? And what does that even mean?” OR “Nominate someone who has the best Justin Bieber-esque coiffure (hairstyle).”