Dreams

MaryVican

Dreams are something that have interested me since I was very young. I came across this poem and thought it captured the mystique and intrigue of dream life and I just had to share it.
Enjoy.

DREAMS
by Mark Strand (April 11, 1934–November 29, 2014)

Trying to recall the plot
And characters we dreamed,
What life was like
Before the morning came,
We are seldom satisfied,
And even then
There is no way of knowing
If what we know is true.
Something nameless
Hums us into sleep,
Withdraws, and leaves us in
A place that seems
Always vaguely familiar.
Perhaps it is because
We take the props
And fixtures of our days
With us into the dark,
Assuring ourselves
We are still alive. And yet
Nothing here is certain;
Landscapes merge
With one another, houses
Are never where they should be,
Doors and windows
Sometimes open out
To other doors and windows,
Even the person
Who seems most like ourselves
Cannot be counted on,
For there have been
Too many times when he,
Like everything else, has done
The unexpected.
And as the night wears on,
The dim allegory of ourselves
Unfolds, and we
Feel dreamed by someone else,
A sleeping counterpart,
Who gathers in
The darkness of his person
Shades of the real world.
Nothing is clear;
We are not ever sure
If the life we live there
Belongs to us.
Each night it is the same;
Just when we’re on the verge
Of catching on,
A sense of our remoteness
Closes in, and the world
So lately seen
Gradually fades from sight.
We wake to find the sleeper
Is ourselves
And the dreamt-of is someone who did
Something we can’t quite put
Our finger on,
But which involved a life
We are always, we feel,
About to discover.

From Mark Strand’s Collected poems. 

on Waiting…

This Sunday marks the start of the season of Advent 2015.

The predominant theme of Advent is WAITING in expectation.
It’s a timeless theme.

stranded-new-york-workers-wait-patiently-in-a-long-line-to-use-a-phone-booth-to-call-home
(Before mobile phones, if a bus broke down you had to find a pay phone and wait your turn to call for rescue. These folks don’t seem too upset by it.)

 

Waiting makes up a big portion of our lives, doesn’t it?

Whether it’s waiting in line or in traffic or waiting for an occasion or certain situation–we do a lot of waiting.

For me, a focus on waiting pulls me out of the present moment to a moment that exists in theory. It involves hope or anxiety. Or both.

The prisoners I minister to have a life centered on waiting for their freedom. They routinely tell me that keeping busy is the best way to conquer the burden and stress of waiting.

 

But a closer interaction with the experience of waiting can unearth and reveal deeper spiritual longings that can both call us into a richer walk of faith and engender the growth needed to more fully surrender to God.

 

If we just stay busy we can miss the gifts that come only through waiting.

Because waiting is such a huge part of the human experience, it’s no wonder that Christianity has long interacted with this theme as a entry point into bigger spiritual conversations and concepts. It is through this struggle we gain growth and maturity in our walk of faith.

Patience is rarely, if ever, attained by any other means than practice.

Waiting is that practice.

Waiting on the Lord is a vibrant theme in Scriptures too, right?

Most of the stories in the Bible include the aspect of waiting. Abraham and Sarah (and many others) wait for offspring, David waits on the Lord for deliverance, the prophets wait for God’s promises to be fulfilled, Paul and the other apostles do a lot of waiting in prison, and in the season of Advent we acutely encounter Mary’s waiting for the Savior, Jesus. She is the vehicle God has chosen to birth the Prince of Peace. It’s a nine month process–on the heels of thousands of years of waiting for the Messiah.

This delivery involves a lot of anticipation and waiting.

And so too does most anything else of worth. These many stories echo our own pain and struggle.

I appreciate Mary’s expression of gratitude during her wait (a.k.a. The Magnificat-see the video below to hear “Mary’s Song” sung my John Michael Talbot). We can use her example to help us along.

Gratitude produces joy that makes waiting easier.

Waiting aptly exposes our traits of impatience, also. It works to refine us.

Henri Nouwen once wrote, “Impatient people are always expecting the real thing to happen somewhere else and therefore want to go elsewhere. ”

Rev Adele Ahlberg Calhoun recently wrote,

Waiting is how God gets at the idols of our heart. Waiting addresses the things we think we need besides God to be content: money, comfort, expedience, success or control.

TODAY’S NUGGET:

It’s a powerful lesson we find in Advent. Meditate on the longings of your heart and cultivate the seeds of advent there. Expectantly wait for God to fulfill his promises with a heart of trust and gratitude.

Sarcasm is Useless…yeah, right!

I’m back.

Have you missed me?

 

I’m getting to the last half of the humor series I started a few weeks back! (see the bottom of the page for the other entires)!

Today I am exploring sarcasm.Screen Shot 2014-11-06 at 10.28.47 AM

 (part 1)

This took a lot of research because I had so little understanding of sarcasm and I’ve heard it so infrequently.

That was like stretching before a jog.

You limber and ready? Let’s do this!

We take humorous sarcasm for granted because it’s so plentiful in the modern culture milieu. This is, in fact, a recent cultural development, and one the entertainment industry has much to be thankful for.

Sarcasm is actually a rather complex use of a language:

 

In using sarcasm we must convey the opposite of what we are saying.

 

This happens best by using enough vocal intonations, body language, and other hints to communicate true intent. (The less exaggeration done, the more of a butt hole you seem.)

Sidenote:
For those with language or cognitive impairments, like autism, sarcasm may be routinely misunderstood. My son’s–who has autism and learning disabilities–now has a budding understanding of sarcasm at age 14. My daughter caught on at age 3. By using more exaggeration to convey the real meaning in my use of sarcasm, I introduced him to a common use of communication. I know you’re thinking… “PARENT OF THE YEAR!”…but, yes, this was not without its problems. 

His accomplishment was a milestone of development that will start to serve him well if he expects to be treated as a mainstreamed person. Nevertheless, the use of sarcastic comments in our home tends to be unnoticed by him and taken in lateral, face-value terms. We try to keep a reign on it in our home to avoid needless problems of miscommunication.

This was, at first, a bitter disappointment to me, having come from a caustic childhood environment where sarcastic mockery was more plentiful than supper leftovers. Alas, it was a call to greater maturity as well as development of alternative modes of mirth-making. For me, baby steps.

 

6 Things to note about the use of sarcasm:

1. Unlike many other expressions of humor, sarcasm always has a point and means to activate or thwart something. It also proves useless (or frustrating) if the hearer fails to understand the actual pointed meaning. Tip: That’s how to foil it. Just act oblivious. Easy-peasy. 

2. Invariably, It is used to point out the supposed superiority of one person (or group) over another.
That’s, right…..Busted!

3. It is considered genuinely humorous only when one can duly side with the practitioner of it, and not be the object of the sarcasm/ridicule. The rare exception being when the practitioner has the master skills to appear convincingly benign to everyone involved–which few do convincingly. Groans, eye rolling, harbored resentment, passive aggression, or revenge plots indicate failure on this part.

4. The word sarcasm comes to us from the mid 16th century in the French word sarcasme. Isn’t it hard to believe that of all people and language groups on the planet that it would be the French at the source of the word?

I wonder what the source of the the word “snooty” is….

(Find out and let me know!)

Right now, I feel I should point out that “DeLay” is my married name.

The French word sarcasme was originally from late Latin, from late Greek sarkasmos. In Greek, it is sarkazein and means to ‘tear flesh,’ (lovely!). In late Greek it meant ‘gnash the teeth, speak bitterly’ (think: sneer). And like the languages from whence it came, sarcasm is often noted to be too little, too late and, of course, carnivorous.

5. The frequent use of sarcasm creates a negative, cynical, and often toxic atmosphere and state of mind. And it’s just plain old douchey (pardon my French).

6. In the classical (Greek) world, “humor” was primarily conducted as sarcasm and practiced by the upper class (who were few) to degrade and condescend the lower, poorer classes (who were many). I’m assuming that in contrast, the poorer classes, as is typical, found burping, farts, and shit jokes funny (pardon my French).

This class issue is why the use of humor was denounced by Plato and other early philosophers (who were–mind you–literate, educated, and upper class. They saw it as counter-productive and without virtue. The noble, high class aim is to be good. And of course, farting was not at all funny to Plato, ever. Not once.)

In the Republic (388e), Plato says that the guardians of the state should avoid laughter, “for ordinarily when one abandons himself to violent laughter, his condition provokes a violent reaction.”

I’m not sure if he meant riots or just getting punched in the eye.

And now, I will leave you with this story…

 

A linguists professor instructs his class saying,

 

“Sarcasm is a poor use of language, crass and unsophisticated, and serves absolutely no sensible point.”

 

To which a student in the back replies, “Yeah, right!”


 

Sarcasm is, most often, poison humor meant to somehow injure or to thwart.

It works like a kind of tool and inflicts a kind of violence. As with all weapons, prudence and moderation will be the best course…in case all of this is getting past you. ;)

It goes without saying that, sometimes, violence is the point, so then it boils down to determining what kind of person you want to be most of the time.


 

Your assignment is to write something sarcastic in the comments section to prove you understood this post, or instead… if your conscious is lashing you, count and report the number of times sarcasm was used in the post. 


Sarcasm tends to be misunderstood in written form. This includes, letters, emails, texts, and sky writing. The internet is replete with sarcasm misunderstood….so in

PART 2 I’ll go over how the Secret Service is considering using software to detect sarcasm online. Crazy but true.


 

PREVIOUS ARTICLES IN THE SERIES:

1. The primacy of humor

2. Step 1: Tickle Rats (the science and study of humor)

3. It’s not just timing, it’s specific knowledge

4. On how subversive humor works

 

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HUMOR SERIES: On Subversive Laughter-Jokers are Wild

Davidson_The_Court_Jester-1

 

Whether it’s an Episode of Saturday Night Live, a late night tv host monologue, a webisode, or humor website, one of the many uses of humor one is to prove a point. People who find themselves funny may often aspire to more elevated forms of comedy:

Satire, wit, or something that seems noble.

If not fully noble, then at least something useful for creating meaningful change.

And if not that, then a comic may just try for old fashion notoriety. But, plenty of people simply settle for infamy.

Cuss words, crude jokes, and whatnot. But, in an effort to avoid thorough banlality the aim might be satire.

In the dearth of well-formed, well-put, well-placed, and well-timed, first-rate satire, many hope their wild comedic jabs will do the trick. They don’t.

True and artful satire is really rare; just like true brilliance is rare.

sat•ire (sătˈīrˌ)

  • n.
    A literary work in which human vice or folly is attacked through irony, derision, or wit.
  • n.
    The branch of literature constituting such works. See Synonyms at caricature.
  • n.
    Irony, sarcasm, or caustic wit used to attack or expose folly, vice, or stupidity.

 

On Satire

Besides that, the difference between satirical prowess and just being mean is more of a fine line. One that rests in the subjective ear of the hearer. Vary the audience and you have a flop. Get it right and you can have an impeachment.

I asked my friend Doug to elucidate us on some of the finer points of comic relief.

If any one put this sort of thing on the map, it was Shakespeare.

(Not Billy Crystall, Whoopi Goldberg, and Robin Williams…which was a fund raising thing.)

Either way, I’m soon out of my depth.

• So, what’s the point of (Shakespearean) COMIC RELIEF?

• How does it work, or not work.

• Does it work now?

A modern audience of non-English majors might not get Elizabethan wordplay…a lot of the problem is that people begin with the general idea that this is serious literature and therefore one is not supposed to laugh.

Not true. Sometimes it gets lost in translation.

While many think of comic relief as a literary ploy to give the audience a break from the latest dramatic event (a murder, beheading, or suicide etc), there is more to it.

 

For starters, says Doug, take the Fool in “King Lear.”

Cambridge poet and scholar Malcolm Guite asserts that, “Shakespeare, with a true understanding of the cross, always puts his greatest wisdom in the mouths of his fools.”

 

Throughout the early parts of the play the little fellow offers repeated jabs at Lear’s stupidity in attempting to step down from his throne but retain his power.

 

The idea of “royal retirement” amuses the Fool. Like a standup comedian with no “off” switch, he shoots out one-liners until several different people threaten to have him beaten.

 

He’s funny. He’s even funny in the howling storm when Lear begins to lose his mind and Edgar pretends to lose his and we do indeed need a break. But the humorous bait conceals a serious barb, both for the characters and the audience. The fool sees what the wise men miss.

 

Drawing on the common usage of court jester in that day, Shakespeare can deliver a message of great import.

Shakespeare here draws on the origins of the trade. Wealthy people in the medieval world sometimes kept mentally impaired people around because their antics amused their betters.

 

They could say or do anything and get away with it, basically, on the insanity defense.

 

Eventually a few very clever people figured out that such a role would allow them to engage in serious political critique without the usual inconveniences of getting exiled or sent to the Tower of London.

 

The Fool is such a double-dealer, offering a needed message disguised as “mere” comic relief.

Just as it happens today, comedy and the use of humor serves many purposes. Entertainment may be the first one, but a lot more may happen in the process.

In excavating the sites of Elizabethan theaters, archaeologists have found the shattered remains of pottery boxes into which theater patrons would drop their admission fee.

 

At the end of the night the company would smash the container – like a kid breaking his piggy-bank – and divvy up the night’s take. (This, by the way, is the origin of the term “box office.”)

 

This little factoid is a reminder that Shakespeare did not so much write for the ages as for the commercial stage. As a professional playwright he had to produce shows that people would pay to see.

 

His diverse audience wanted action, politics, poetry, and, yes, humor. But with each of these elements he did more than met the eye. His “comic relief” is like drinking sea water: It briefly relieves our thirst for wholeness only in order to make us crave the real thing even more.

It would seem that comic relief still has its place. Jokers ARE wild.

But, whether a comic gives the challenge due diligence is another question.

What’s been your favorite bit of satire, recently?

I hope you’re enjoying this series.

ox

-Lisa

Here are the other related articles.

1. (humor at birth)

2. (Humor studies: Step 1-Tickle Rats)

3. (On comedic distance-funny to whom?)

 

For the latest info on my humor related projects sign up here.

The Science and Spirituality of Humor [SERIES]: Is Humor a HUMAN thing?

Read the 1st post of the humor series here. Screen Shot 2014-09-25 at 10.46.13 AM

Is humor human?

Do animals laugh and why should we care?

One of the first things that comes up when you start to study what people find funny, and why they do, is the issue of purpose.

“What’s it all for?”

And when you start asking those questions invariably you need to see if humor is a uniquely human quality or if other creatures have some of it too and why might they.

Some animals experience emotions in ways humans do. Anger, pleasure, fear, and sorrow are a few commonalities.

For instance, pachyderms express grief at the death of a member of their parade. House cats don’t give a crap about the death of anyone (usually), but they are certainly spiteful on par with the cunning and potency of humans.

So why not the emotion of humor…?

It turns out that science has tried to measure that. The results, in my opinion, are mixed and even a bit unsavory. But, I’ll get to that in a minute.

Noises of Play

Plebeian anecdotes of laughing dogs or snickering nonhuman primates circulate and seem to indicate that something akin to genuine laughter or maybe some sort of sense of humor could be at work. Yes?

For a number of years scientists have discerned what seems to be jolly noises coming from chimps at play. These sounds mimic the intonations of young children at play and keg parties.

And then there’s the business of rodents.

Rats, actually.

I told you it would get unsavory.

Laughter in the Lab

Apparently, scientists can get grant money to tickle rats.

You heard me right.

See, if they just use the phrase “heterospecific hand play” on their proposal, a grant check comes in the mail.

The phrase sounds sophisticated and science-y, and no one in the grant issuing department considers it perverted.

With grant money in hand, scientists use their other hand and go about tickling rats of different ages, in different settings, at different times, and sometimes (I’m guessing) on the couch near a cozy fire in the fireplace and atmospheric candlelight as Barry White music plays softly in the background. It’s all very clinical.

The Results
Older (married?) rats don’t seem to respond, but juvenile rats, foolish to the wiles of scientists, make high frequency chirping sounds as they encounter “heterospecific hand play”.

The sounds are somewhat comparable to staccato laughing of human children at play. Human children playing but also gnawing at garbage in a dumpster, perhaps. Or, perhaps the panicked sounds of high anxiety.

The strange result is that the young rats then seek out the human that tickled him or her for plenty more of the same. (This convinces the scientists that the impressionable rats are enjoying the interaction and not developing strange and unhealthy co-dependency issues sourced in dubious psychologically damaging tickle abuse.)

In fact, the rats grow closer to their ticklers socially, and perhaps hope for an engagement ring one day.

I’d also like to note that so far I’m finding no such experiments are conducted where rats are allowed to tickle scientists and whether the rats or the scientists laugh because of it. This seems like a gross oversight. It would also be interesting to know if the scientists found the rats attractive in different outfits and vice versa. Or, maybe not.

I don’t know whether to be proud of the these discoveries or terribly embarrassed for the scientists.

The Purpose of Humor

What laughter–or its nonhuman equivalent–appears to do in the animal world is to build social bridges through appropriate positive interactions.

Positive, mutual, social responses build bonds, trust, and cooperation. Everyone wins.

Rats, dogs, and chimps are all highly social creatures, and maybe this is needed for things to go well.

The exception is the occasional instance where rats eat their young.

 

• This seems to indicate that some tickling just isn’t funny, or that kids can be a real pain sometimes.

Humor and Spirituality

I’m proposing that humor remains invaluable to human flourishing, not just for healthy social bonding, but ultimately for the vital element of identity, and this is the territory of spirituality. We’ll get into the reasons of why more deeply as we continue.


 

Like those laughing animals, humans are social too. When they are not socially healthy, bad things happen: murder, sexual assault, arson, random violence, and strange behavior on Facebook.

But, unlike animals, scientific experiments show that humans have three main reasons for laughing besides a tickling episode, according to work by psychologist Diana Szameitat. Here are the other three:

1. Laughing in joy.

2. Taunting laughter. Laughing at someone in contempt.

3. Schadenfreude laughter. Laughing at another person who encounters something unfortunate, like falling down. The Germans have just the precise word for it too, which is not surprising.

I think there are several more, but that’s for future posts.

 

Funny Things are Seriously Complex

Humor and laughter comprise a whole system of complex emotions for humans, compared to animals.

And as anyone who’s been tickled for too long knows, sometimes humor includes mixed emotions like discomfort, fear, apprehension, or wanting to slap a scientist for creepy “heterospecific hand play”.

We’ll learn much more about the complexity of humor as we go. In future posts I’ll also cover the dubious reputation of humor among early philosophers, the fascinating aspect of humorous sarcasm and mockery, plus the latest compelling humor research theory that explains both the good and bad reasons why we find things funny.

Anything for a laugh.


 

To sum up, humor is both uniquely human and shared among certain other creatures in a lesser way.

Read the next one in the series here.

 Are you enjoying this series? I’d love to know.

Thanks for reading!

-Lisa