Episode 5 – The god of Wine and re-thinking the nature of creative process

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Episode 5 – The god of Wine and re-thinking the nature of creative process

dionysus

Today’s episode is about the Greek god of Wine and rethinking our ideas about the process of creation, and a better understanding the notion of “creative genius”:

 


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wine segment

What the Greeks thought about wine is reflected in the god of wine that they worshiped. (I don’t recommend worshiping the god of wine, or any god except the benevolent Creator.)

• Dionysus was the Greek god of wine and grape harvest

• The only god to have a mortal parent. Born from Zues’ thigh. That’s because his mother burnt to a crisp when Zues showed himself to her in his glory. Whoops.

Symposium means “drinking together”.

Additional note: These originally-small gatherings were for upper class men and with carefully imposed rules about consumption. They occured for leisure and thoughtful discussion.

• I will be offering a symposium-stlyle web-event where we will all have a glass of wine at the same time and discus a topic–possibly in July. Only patrons will get to come. This is your invitation. :)

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• Most of the great Greek plays were initially written to be performed at the Spring feast of Dionysus. . . .when the buds of grape leaves start to open. It was a most sacred festival.

• Dionysus was a patron of the arts!

For Greeks, Dionysus was credited with creating wine and spreading the art of viticulture (the horticulture of grapes).

• He had a dual nature; on one hand, he brought joy and divine ecstasy; or he would bring madness, brutal and blinding rage–a good depiction of the dual nature of wine.

• He was brought back to life…like grape vines that undergo brutal pruning and look dead, but then burst back to life.

• Blood and red wine are often linked for the ancients.

(Blood gives the body life, wine has powerful bodily effects.)


And now to spark your muse!

——

• Nikolai Berdyeav

“All the products of a man’s genius may be temporal and corruptible, but the creative fire itself is eternal, and everything temporal ought to be consumed in it. It is the tragedy of creativeness that it was eternity and the eternal, but produces the temporal, and builds up the culture which is in time and a part of history. The creative act is an escape from the power of time and ascent to the divine…”

Today we’re thinking of the creative process as re-imagined and being “divinely co-operative”.

We (commonly) think of genius as applied to us in a personal way like a characteristic. A natural capacity, but the Greeks seem to have a much healthier view of what the process of creation is truly like…

• For the Greeks …divinity is always present.

• A genius = an unseen guardian, or custodial and protecting spirit…who gives a human inspiration: For the Greek, we each have one. (It’s not us; but it will help us.)

Three reasons why depersonalizing our part in the creative process is helpful:

1. Failure is not personal

2. Success shouldn’t cause arrogance

3. Patience and giving up control (not forcing it) will reinvorgate your creativity

What do you think?

Is the creative process a “divine cooperation”?

 


In the next episode we will cover “the proper rites of friendship”  and skinny on “wine spritzers”. 


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Episode 1 (Grape Juice is Unnatural)


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Sparky My Muse Podcast-Episode 1
(Grape Juice is Unnatural)

Welcome to the Spark My Muse podcast!

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So, What you can expect on the show?

• I will add a new show about once a week.
• Once a month I want to feature Interviews with interesting and creative people.

• A segment about “wine for newbies” will be featured each time.
And each show will include, one way or another, something on how to improve yourself and live the good life: as a person, as a creator, and as a person on planet earth!

The wine segment for episode:

I work at Spring Gate Vineyard and I learned something sort of odd.

Did you know Grape juice is unnatural?

Grapes are considered a berry.
The skins have yeast and the fruit inside contains sugar, so that fermentation is the natural outcome.

Extraordinary means have to be taken to stop the process. Usually fermented wine was diluted with water in ancient times.

Martin Luther is attributed as saying:
“Beer is made by men. Wine by God.” He was very fond of both.


 

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the sabbatical interruption ?

henri_nouwenLife is ‘a little while’, a short moment of waiting. It is to wait full of expectation. The knowledge that God will indeed fulfill the promise to renew everything, and will offer us a new heaven and a new earth, makes the waiting exciting. We can already see the beginning of the fulfillment. Nature speaks of it every spring; people speak of it whenever they smile; the sun, the moon, and the stars speak of it when they offer us light and beauty; and all of history speaks of it when amidst all devastation and chaos, men and women arise who reveal the hope that lives within them. What is my main task during my ‘little while’? I want to point to the sings of the Kingdom to come, to speak about the first rays of the day of God. I do not want to complain about this passing world but to focus on the eternal that lights up in the midst of the temporal. I yearn to create space where it can be seen and celebrated. ~ Henri Nouwen, Sabbatical Journey

by way of an update…

I look around and I realize that I have all the fixings to get 4-5 more posts done on my series about humor. But, something is amiss. I am humorless indeed. It’s an irony not wasted on me and its own sort of humor.

I suppose when I was trying to understand humor in the first place it was to save myself from this point. But I got here anyway.

So now, strangely, I feel like I’m on a sabbatical.

I’m placed in it but didn’t choose it. The will to write feels gone, even though seeds are in my hand. 

Today, I spent the day at the Jesuit Center and found a book on Henri Nouwen in the library and it piqued my interest in him once again. 

I don’t want to have this tortured part of me that gets befuddled most Autumns and Winters but there you have it, anyhow. 

Until I get my gumption back, I’ll post the occasional pieces and bits from the scratching in the dust that I’m doing now in this arid place of the soul.

Laughter: The Mini BRAIN SCAN

It’s another installment in the HUMOR SERIES.

If you’re new here or late to the series, get started on these previous articles:

1 Intro: Laughing from birth

2. Step 1: Tickle Rats

3. What makes something funny may surprise you

4. Jokers ARE wild: Subversive Humor
Screen Shot 2014-10-08 at 7.32.26 AM

 

How humor works like a mini BRAIN SCAN

(Secular) Biologist Robert Lynch, who also performs as a comedian, sees humor as an adaptive, learned trait; and one that helps us connect with others who share our values.

His theory about humor?
“You laugh because you believe it is true,” says Lynch, and his experiments seem back up his theory, at least partially.

A joke, in other words, is like a little brain scan: When we laugh, we reveal what’s inside us. -Robert Lynch

In an experiment Lynch conducted, a variety of people were video-recorded while watching an edgy comic who joked about gender inequality. The volunteers were then given a psychological test that measured their unconscious gender attitudes. Those with mid-20th century gender views of women being responsible for home and children and men bread-winning laughed harder at that joke than those with more progressive views.

 

In another experiment, people Lynch terms “self-deceivers” found much less humor in an entire joke reel, in general.

 

I’m guessing that because Lynch used this “self-deceivers” language to identify reluctant laughers, he probably laughs at just about everything. Naturally, if scientists are self-deceiving they are doing something wrong. Something unreasonable?

I’m betting that to Lynch “self-deceivers” are “other people”. Otherwise, he would term them “discerning” or “wise” or “judicious” or “pensive” or “still thinking about it” or maybe just “unsure”.

So, I wonder if he’s just a bit off the mark.

Could the phenomenon of less laughs be a combination of a few things he hasn’t accounted for?

• Could less laughter be a result of natural personality or temperament traits?

• Fewer habits of deep introspection?

• Previous experiences that predispose infrequent laughers to think quietly instead of giggle aloud?

• Or a mismatch in values? (What sorts of jokes were told? We don’t know because he doesn’t say.)

The subjectivity of laughter producing humor seems to be at play a bit more than his experiments can account for. And that’s no joke.Screen Shot 2014-10-08 at 2.51.54 PM

I do agree with Lynch on this point:
We can conceal our true opinions, but in the moment of unguarded laughter, we reveal our true preferences.

Lynch says that the trait of a sense of humor is desirable and its presence or lack thereof helps us select a mate: A sense of humor is always listed in the top five traits people look for when mate-hunting.

Plus, humor helps us bond with those in our group, or determine who’s outside our group. This does seem clear.


 

And lest we forget, (the non self-deceived?) Lynch likes to work the crowd at open mic comedy nights. Does this scientist have a formula?

Yes. Sort of. Basically.

Here’s how he does it:

He finds common ground and builds on it. First he works at locating something held in common. Then, he points out a shared opinion or value, and underscores something that rings true to listeners.

It might start with some simple commonality like the geographical location of the place, a sports team preference, or the clientele in attendance.

He’s also snarky. If you like that style you might be amused.

“It’s great to be in New York City again. The coral reef created by sinking subway cars off Manhattan has a 58% higher rate of stabbings than a natural reef.” (or something like that. blah blah blah…you can watch the video on his theory here.)

If I’m writing a joke, often what I do is I look at things that I think are true, that people tend not to admit to, or maybe reluctant to admit to, including myself. -Lynch


Of course, I don’t hold the similar belief that the reason for laughter happened ad hoc and by chance, as Robert Lynch contends. That idea seems more like a punchline to me.

“Why did the cave man laugh? I’ll tell you in ten million years…”

(yes that was mine)

Sure, we adapt using humor, and we always well, but I doubt the source of humor was landed on by sheer mistake or mutation + time. HA-but that’s a good one. You almost had me, Lynch!


 

What may be the case is something that isn’t so stupefyingly accidental or self-deceiving. Something reasonable.

Namely, that One beyond our comprehension designed and equipped us purposefully with a sense of humor and in a way that we can better socially bond in positive ways…because we inherently need each other.

In a future post, I will go a bit further and pose a kind of theory for the purpose of humor and the reason for laughter based on some work from different researchers and my own educational background.

 

The takeaway:
If you want to know what someone is really like and what they really think, pay attention to what and whom they laugh at. Laughter is a kind of brain scan.

And examine what makes you laugh.

Dig deeper and find out more about yourself and what needs improving.

 

I hope you’ve liked this series.

Tell me which has been your favorite post so far.

Come back for “funny friday” and the rest of the series!

xo

-Lisa

For the latest info on my humor related projects sign up here.

HUMOR SERIES: On Subversive Laughter-Jokers are Wild

Davidson_The_Court_Jester-1

 

Whether it’s an Episode of Saturday Night Live, a late night tv host monologue, a webisode, or humor website, one of the many uses of humor one is to prove a point. People who find themselves funny may often aspire to more elevated forms of comedy:

Satire, wit, or something that seems noble.

If not fully noble, then at least something useful for creating meaningful change.

And if not that, then a comic may just try for old fashion notoriety. But, plenty of people simply settle for infamy.

Cuss words, crude jokes, and whatnot. But, in an effort to avoid thorough banlality the aim might be satire.

In the dearth of well-formed, well-put, well-placed, and well-timed, first-rate satire, many hope their wild comedic jabs will do the trick. They don’t.

True and artful satire is really rare; just like true brilliance is rare.

sat•ire (sătˈīrˌ)

  • n.
    A literary work in which human vice or folly is attacked through irony, derision, or wit.
  • n.
    The branch of literature constituting such works. See Synonyms at caricature.
  • n.
    Irony, sarcasm, or caustic wit used to attack or expose folly, vice, or stupidity.

 

On Satire

Besides that, the difference between satirical prowess and just being mean is more of a fine line. One that rests in the subjective ear of the hearer. Vary the audience and you have a flop. Get it right and you can have an impeachment.

I asked my friend Doug to elucidate us on some of the finer points of comic relief.

If any one put this sort of thing on the map, it was Shakespeare.

(Not Billy Crystall, Whoopi Goldberg, and Robin Williams…which was a fund raising thing.)

Either way, I’m soon out of my depth.

• So, what’s the point of (Shakespearean) COMIC RELIEF?

• How does it work, or not work.

• Does it work now?

A modern audience of non-English majors might not get Elizabethan wordplay…a lot of the problem is that people begin with the general idea that this is serious literature and therefore one is not supposed to laugh.

Not true. Sometimes it gets lost in translation.

While many think of comic relief as a literary ploy to give the audience a break from the latest dramatic event (a murder, beheading, or suicide etc), there is more to it.

 

For starters, says Doug, take the Fool in “King Lear.”

Cambridge poet and scholar Malcolm Guite asserts that, “Shakespeare, with a true understanding of the cross, always puts his greatest wisdom in the mouths of his fools.”

 

Throughout the early parts of the play the little fellow offers repeated jabs at Lear’s stupidity in attempting to step down from his throne but retain his power.

 

The idea of “royal retirement” amuses the Fool. Like a standup comedian with no “off” switch, he shoots out one-liners until several different people threaten to have him beaten.

 

He’s funny. He’s even funny in the howling storm when Lear begins to lose his mind and Edgar pretends to lose his and we do indeed need a break. But the humorous bait conceals a serious barb, both for the characters and the audience. The fool sees what the wise men miss.

 

Drawing on the common usage of court jester in that day, Shakespeare can deliver a message of great import.

Shakespeare here draws on the origins of the trade. Wealthy people in the medieval world sometimes kept mentally impaired people around because their antics amused their betters.

 

They could say or do anything and get away with it, basically, on the insanity defense.

 

Eventually a few very clever people figured out that such a role would allow them to engage in serious political critique without the usual inconveniences of getting exiled or sent to the Tower of London.

 

The Fool is such a double-dealer, offering a needed message disguised as “mere” comic relief.

Just as it happens today, comedy and the use of humor serves many purposes. Entertainment may be the first one, but a lot more may happen in the process.

In excavating the sites of Elizabethan theaters, archaeologists have found the shattered remains of pottery boxes into which theater patrons would drop their admission fee.

 

At the end of the night the company would smash the container – like a kid breaking his piggy-bank – and divvy up the night’s take. (This, by the way, is the origin of the term “box office.”)

 

This little factoid is a reminder that Shakespeare did not so much write for the ages as for the commercial stage. As a professional playwright he had to produce shows that people would pay to see.

 

His diverse audience wanted action, politics, poetry, and, yes, humor. But with each of these elements he did more than met the eye. His “comic relief” is like drinking sea water: It briefly relieves our thirst for wholeness only in order to make us crave the real thing even more.

It would seem that comic relief still has its place. Jokers ARE wild.

But, whether a comic gives the challenge due diligence is another question.

What’s been your favorite bit of satire, recently?

I hope you’re enjoying this series.

ox

-Lisa

Here are the other related articles.

1. (humor at birth)

2. (Humor studies: Step 1-Tickle Rats)

3. (On comedic distance-funny to whom?)

 

For the latest info on my humor related projects sign up here.